Agus Djaya
(Indonesian, 1913- 1994)
Maiden, mid-20th c.
Oil on canvas, 50” x 32”
Anonymous Gift
60.5.7
To many viewers, this painting represents clear evidence of the “male gaze”; defined as objectifying and sexualizing women in depicting them. The subject is shown in a private moment – applying make-up with a hand-held mirror. She seems indifferent to the artist (male) and thus to subsequent viewers; contributing to the overall feeling of voyeurism.